Works on Paper

Giacomo Guardi
Italian, 1764-1835
Veduta del Ponte de Rialto
Watercolor and gouache on paper
6 x 9 1/2 in. (sheet), 11 1/2 x 14 in. (frame).

Watercolor and gouache on paper
1788, signed ‘Giacomo de Guardi’, titled and inscribed
‘Reccapito all’ ospedaletto in calle de Perucchi al No. SR45 dimandar’ on the reverse.
6 x 9 1/2 in. (sheet), 11 1/2 x 14 in. (frame). 


Details
Frank Myers Boggs
American, 1855-1926
St. Valery
Crayon and watercolor on paper
9 ½ by 14 in. w. frame 17 by 21 ½ in.
Details
Ysabel Minoggio-Roussel
French, 1865
French Rivera
Watercolor on paper
11 In. By 15 In. W/frame 15 by 19 in.
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Guglielmo Giusti
Italian, 1824-1916
Distant View Above the Bay of Naples, Vesuvius beyond
Gouache on paper
20 by 27 ½ in. W/frame 25 by 32 ½ in.
Details
Henry Mayo Bateman
English, 1887–1970
Lady at her Vanity
Watercolor on paper
9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in.
Details
Alphonse Victor Baumann
French, 1826 -1909
Femme Cueillant des Fleurs dans un Champ
Watercolor on paper
11 by 8 in. W/frame 19 by 16 in.
Details
Amedee Cham
French, 1819-1879
Political Cartoons
Watercolor on paper
10 by 13 in. W/frame 18 by 21 in.
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Joan Miro
Spanish, 1893–1983
Amnesty International
Color Lithograph
35 by 24 in. W/frame 42 by 31 in.

22/75 Edition size
Circa 1975 New York

Artists for Amnesty, a series of art posters and signed and numbered prints created by fifteen world renowned artists of the time to focus on Amnesty International’s Prisoners of Conscience Year 1977, was exhibited between February and March of 1977 in the Washington Place windows of New York University’s Grey Art Gallery. Signed and Numbered out of 75 in pencil. Some visible marks but overall in very good condition. Miro?s art is based on the purity of poetic emotion and spontaneity of execution. The artist also found his favorite medium in lithography. The importance of his graphic work, continuous renewal and enrichment of his style show the high value which the artist attached to this medium of expression. Miro uses black ink with a range of values and refined tones, reaching wild and playful effects. With elements derived from Catalan traditional art and a spatiality, Miro gave his objects and symbols a proper life as subjects of stories from other worldly microcosms - the ideal reflection of a world longed for by the artist.


Details
Friedrich Jungling
German, 1846 - 1889
A Floral Still Life on a Ledge with Butterflies
Gouache on paper
8 ½ by 8 in. W/frame 13 ½ by 13 in.
Details
Friedrich Jungling
German, 1846 - 1889
A Floral Still Life on a Ledge with Butterflies
Gouache on paper
8 ½ by 8 in. W/frame 13 ½ by 13 in.
Details
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